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Theater Review: ‘American Idiot’ fights ordinary beat
“Green Day’s American Idiot” gives what fans have been looking for: a medium that provides a visual element for the album as cast members preach the testaments of Billie Joe.
‘Pillowman’ play goes dark with twisted plot, humor
A twisted plot line and a smidgeon of humor are just some of the reasons why senior theater arts major Daniel Bride chose “The Pillowman” for his directing thesis.
Brother shares bloody bedtime stories
“The Pillowman,” an Irish play written by Martin McDonagh, was adapted to American theater and is being brought to the University of La Verne by Danny Bride for his senior project.
‘Three Penny Opera’ sings for the money
The classic musical “Three Penny Opera,” script by Bertolt Brecht and music by Kurt Weil, has been updated and set in modern day Los Angeles Harbor by the University of La Verne’s theater department.
Theater Review: ‘Red Noses’ hits the funny bone
“Red Noses” is a humorous and moving play, combining death, joy, sorrow, humor, satire, love, singing, and dancing.
Laughter, gravity plague ‘Red Noses’
Dailey Theatre is traveling back in time to 14th Century France for “Red Noses,” which opened last night and runs through Sunday.
Vampires drain the market as supernatural themes invade popular culture
Halloween is a time of ghosts, scares and the paranormal to come to the front of everyone’s mind and surround themselves with the unknown world of the supernatural.
Performer articulates ‘Life on the Swerve’
Rhodessa Jones entered Garrison Theater at Scripps College as a devil-type character to begin her performance of “Life on the Swerve: Observations from That Place Where the World Ends” on Tuesday.
‘Baltimore Waltz’ explores misconceptions
Laughter, gasps and sobs are all that can communicate Kevin Greene’s senior thesis performance of Paula Vogel’s “The Baltimore Waltz” put on by the theater department.
On-stage drama mimics real lives
The students of the theater and community class have combined their individual passions for theater into a string of eight performances called “The Power of Hope” that push ignored issues into the limelight.

