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Green Day, are they here right now? Even before lead guitarist Billie Joe Armstrong had a breakdown during the iHeartRadio Festival, the band seems to be drifting from its core values.
Kendrick Lamar’s major label debut, “good kid, m.A.A.d city” is perfect, one of the best examples of what a hip-hop album should be.
The Green Day boys are at it again, and by “it” I mean releasing another disappointing record that confirms they just can’t make a truly exciting and unique album anymore.
Those hoping to hear something radically new from The Killers’ fourth studio album, ‘Battle Born,’ are in for quite a letdown.
Rather than deliver on the hype that his album has generated from critics and fans, Jack White’s first solo album instead gives little haunting teases of what he has spinning in his mind.
Supported by driving percussion, clever lyrics and striking piano, Fun.’s “Some Nights” is a clear evolution in the band’s musical style.
It is time to pile into a dingy minivan and drive to the dusky groove of The Black Keys’ seductive new album, “El Camino.”
Describing Florence + The Machine’s “Ceremonials” as a mixture of strangeness and charm would be far too easy.
Blink-182 joined numerous bands in the quest back into music with the end of its six-year self-imposed hiatus and the release of its sixth studio album, “Neighborhoods.”
After a five year self-imposed exile, the Red Hot Chili Peppers have made their return to music with their 10th studio album, “I’m With You.”