With the summer there came a noticeable lull in noteworthy music releases, forcing critics to dig deep for something to talk about. In hindsight, the summer lull was an indicator of big things to come in the world of music. That thing was the month of September.
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Kathleen Hanna’s latest project, The Julie Ruin, glimmers from each stylistic phase of her two-decade career.
Fans of Arctic Monkeys are in for a surprise as their highly anticipated fifth album, “AM,” steers away from the quirky indie beat sound that skyrocketed the band as one of the post-punk revival heavyweights.
Hard-set on producing all of his own music, it seems Mr. Rager’s latest album attempts to live up to the commercial success of 2009’s “Man on the Moon: The End of the Day,” looking for the next “Pursuit of Happiness.”
Cold War Kids fans are in for quite a treat as the newest edition to their discography, “Dear Miss Lonelyhearts” was released on April 2.
Green Day, are they here right now? Even before lead guitarist Billie Joe Armstrong had a breakdown during the iHeartRadio Festival, the band seems to be drifting from its core values.
Kendrick Lamar’s major label debut, “good kid, m.A.A.d city” is perfect, one of the best examples of what a hip-hop album should be.
The Green Day boys are at it again, and by “it” I mean releasing another disappointing record that confirms they just can’t make a truly exciting and unique album anymore.
Those hoping to hear something radically new from The Killers’ fourth studio album, ‘Battle Born,’ are in for quite a letdown.
Rather than deliver on the hype that his album has generated from critics and fans, Jack White’s first solo album instead gives little haunting teases of what he has spinning in his mind.