When doing business in a foreign country, a businessman should always make sure nothing gets lost in translation, except that is certainly not the case in “Chinglish,” a play by David Henry Hwang and directed by Jeff Liu, currently running in the East West Players in Downtown Los Angeles.
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For any person who longs to create — whether it be a writer, a photographer, a designer, a musician, or in this case, an artist — the best type of inspiration comes from when you surrender yourself to the thing that you are most afraid of.
Stomping and frustrated German teens in wild haircuts, Doc Martens and 19th-century garb wailed their hearts out to a contemporary score in Pomona College’s rocking production of “Spring Awakening,” which ran Nov. 20-23 at Seaver Theatre in Claremont.
University of La Verne alumnus Kristopher Lee Bicknell’s one-man show “Dramatis Personae” astonished the audience in the Jane Dibbell Cabaret last weekend.
The Inland Pacific Ballet told a tale as old as time in its adaption of “Beauty and the Beast” at the Bridges Auditorium in Claremont on April 26.
What started as a typical light-hearted comedy turned out to be a show covering different social issues, from anti-semitism to feminism to the struggle of class within a wealthy Venetian society, as the Dailey Theater premiered William Shakespeare’s “The Merchant of Venice.”
The Theater Experience of Southern California brought back childhood memories of “School House Rock” during the hit performance at Bridges Auditorium in Claremont on Saturday.
“Red Noses” is a humorous and moving play, combining death, joy, sorrow, humor, satire, love, singing, and dancing.