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DTSTART;TZID=America/Los_Angeles:20231120T110000
DTEND;TZID=America/Los_Angeles:20231120T160000
DTSTAMP:20260403T234153
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000401-1700478000-1700496000@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-20/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231120T090000
DTEND;TZID=America/Los_Angeles:20231120T170000
DTSTAMP:20260403T234153
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000457-1700470800-1700499600@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-20/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231117T090000
DTEND;TZID=America/Los_Angeles:20231117T170000
DTSTAMP:20260403T234153
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000456-1700211600-1700240400@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-17/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231116T110000
DTEND;TZID=America/Los_Angeles:20231116T160000
DTSTAMP:20260403T234153
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000400-1700132400-1700150400@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-16/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231116T090000
DTEND;TZID=America/Los_Angeles:20231116T170000
DTSTAMP:20260403T234153
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000455-1700125200-1700154000@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-16/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231115T110000
DTEND;TZID=America/Los_Angeles:20231115T160000
DTSTAMP:20260403T234153
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000399-1700046000-1700064000@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-15/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231115T090000
DTEND;TZID=America/Los_Angeles:20231115T170000
DTSTAMP:20260403T234153
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000454-1700038800-1700067600@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-15/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231114T180000
DTEND;TZID=America/Los_Angeles:20231114T200000
DTSTAMP:20260403T234154
CREATED:20231114T205117Z
LAST-MODIFIED:20231114T232552Z
UID:10000447-1699984800-1699992000@laverne.edu
SUMMARY:Cluttercore Artist Reception
DESCRIPTION:The Harris Gallery is pleased to present this exhibition of paintings\, assemblage\, and installations. Join us for an artist reception on November 14th from 6-8 PM.
URL:https://laverne.edu/event/cluttercore-artist-reception/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition,Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/ULV-HARRISGALLERY_MASTHEAD_CLUTTERCORE.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231114T110000
DTEND;TZID=America/Los_Angeles:20231114T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000398-1699959600-1699977600@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-14/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
GEO:34.1008542;-117.7732346
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231114T090000
DTEND;TZID=America/Los_Angeles:20231114T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000453-1699952400-1699981200@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-14/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231113T110000
DTEND;TZID=America/Los_Angeles:20231113T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000397-1699873200-1699891200@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-13/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231113T090000
DTEND;TZID=America/Los_Angeles:20231113T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000452-1699866000-1699894800@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-13/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231110T090000
DTEND;TZID=America/Los_Angeles:20231110T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000451-1699606800-1699635600@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-10/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231109T110000
DTEND;TZID=America/Los_Angeles:20231109T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000396-1699527600-1699545600@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-09/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231109T090000
DTEND;TZID=America/Los_Angeles:20231109T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000450-1699520400-1699549200@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-09/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231108T110000
DTEND;TZID=America/Los_Angeles:20231108T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000395-1699441200-1699459200@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-08/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231108T090000
DTEND;TZID=America/Los_Angeles:20231108T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000449-1699434000-1699462800@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-08/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231107T110000
DTEND;TZID=America/Los_Angeles:20231107T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000394-1699354800-1699372800@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-07/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231107T090000
DTEND;TZID=America/Los_Angeles:20231107T170000
DTSTAMP:20260403T234154
CREATED:20231115T012856Z
LAST-MODIFIED:20231116T212942Z
UID:10000448-1699347600-1699376400@laverne.edu
SUMMARY:Wonderland: Selections From the La Verne Art Collection
DESCRIPTION:By Damairis Lao\, Rachel Sheng\, and Yek Wong \nWonderland presents paintings by AAPI artists and celebrates voices that explore self-expression as portraiture\, landscape\, and abstraction. \nDamairis Lao’s acrylic on-panel portrait Branovan presents a figure with carefully rendered warm tones and defined features. The background is a cool atmospheric blue that may allude to an imaginary space that is calm and contemplative. With his vision obscured by a brassiere\, the subject seems to be caught between feelings of vulnerability and desire. \nRachel Sheng’s Untitled acrylic on canvas painting has eye-catching optic energy dancing around airy and gentle open spaces. Expressive marks of concentrated colors tangle\, twist\, smear\, and spread; these gestural maneuvers and compositional layers build a complex abstract picture. \nSingaporean-born artist Yek Wong’s Cabriolet Las Vegas to Los Angeles is a shaped canvas in a landscape format. While living in Las Vegas and driving back-and-forth to Los Angeles he photographed the desert\, roadway\, and setting sun through the windshield and side windows of his VW Cabriolet. With black\, orange\, and ochre color block sections\, the abstract canvas becomes a record of his road trip experience and presents a minimal\, almost sci-fi\, landscape. \nFor additional information please contact Dion Johnson djohnson@laverne.edu or 909.593.3511 x 4383
URL:https://laverne.edu/event/wonderland-selections-from-the-la-verne-art-collection/2023-11-07/
LOCATION:Campus Center\, West Gallery\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/11/Wonderland.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231106T110000
DTEND;TZID=America/Los_Angeles:20231106T160000
DTSTAMP:20260403T234154
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000393-1699268400-1699286400@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-06/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231102T110000
DTEND;TZID=America/Los_Angeles:20231102T160000
DTSTAMP:20260403T234155
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000392-1698922800-1698940800@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-02/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231101T110000
DTEND;TZID=America/Los_Angeles:20231101T160000
DTSTAMP:20260403T234155
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000391-1698836400-1698854400@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-11-01/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
GEO:34.1008542;-117.7732346
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231031T110000
DTEND;TZID=America/Los_Angeles:20231031T160000
DTSTAMP:20260403T234155
CREATED:20231026T202903Z
LAST-MODIFIED:20231101T230319Z
UID:10000390-1698750000-1698768000@laverne.edu
SUMMARY:Cluttercore\, Rasquachismo\, and the Indelible Need to Display
DESCRIPTION:For millennia\, humans have sought to arrange possessions in a way that was aesthetically pleasing\, or at least\, that pleased that specific person. Cluttercore\, a recent maximalist interior design aesthetic that focuses on presenting one’s collections\, has been gaining popularity as many strove to beautify and personalize their dwellings during the throes of COVID lockdowns. Cluttercore is based in a desire to display the objects that bring comfort and describe the owner’s life through collections\, and push back against sparse\, anesthetized interiors that define fashionable living. Similarly\, rasquachismo is also an aesthetic and lifestyle born of a scrappiness and necessity to beautify\, tied with identity projection\, and in rejection of minimalism. Rasquachismo describes the mentality and design technique of Chicanos (Mexican Americans) in creating splendor from whatever is at hand\, in what could often be described as detritus\, junk\, or kitsch. In these modes of presentation\, what is centerstage is repurposing\, recontextualizing found objects\, and arranging them in an appealing way. \nThis exhibit recognizes the shared kinship between rasquachismo and cluttercore as domestic aesthetics\, and seeks to interrogate the core purposes of each as they relate to curating\, display\, lifestyle\, and distinct opposition to dominant trends. \nParticipating artists: Mandy Cano Villalobos\, Melora Garcia\, Julia Emiliani\, Tessie Salcido Whitmore\, Anna Valdez\, Jacqueline Valenzuela \nCurated by Rachel T. Schmid
URL:https://laverne.edu/event/cluttercore-rasquachismo-and-the-indelible-need-to-display/2023-10-31/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/art-exhibition-mandy-cano-villalobos_whistle-for-a-fly-2023.jpg
GEO:34.1008542;-117.7732346
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20231010T160000
DTEND;TZID=America/Los_Angeles:20231010T170000
DTSTAMP:20260403T234155
CREATED:20231002T180041Z
LAST-MODIFIED:20231025T225723Z
UID:10000386-1696953600-1696957200@laverne.edu
SUMMARY:Artist Talk  - Harris Gallery
DESCRIPTION:GALLERY TALK: Tuesday\, October 10\, 4 PM \ndEE-lie-LA\, Poderosa\, The Healers: An Exploration of Wellness \nA SUR:biennial exhibition curated by Martin Durazo \nOpen to the public. Admission is free.       \nHarris Gallery Hours: Monday – Thursday • 11:00 am – 4:00 pm or by appt.
URL:https://laverne.edu/event/artist-talk-harris-gallery/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Artist Talk
ATTACH;FMTTYPE=image/jpeg:https://laverne.edu/wp-content/uploads/2023/10/Istall-Image-4-talk.jpg
GEO:34.1008542;-117.7732346
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Harris Art Gallery 1950 3rd Street La Verne CA 91750 United States;X-APPLE-RADIUS=500;X-TITLE=1950 3rd Street:geo:-117.7732346,34.1008542
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230518
DTEND;VALUE=DATE:20230524
DTSTAMP:20260403T234155
CREATED:20230519T182905Z
LAST-MODIFIED:20230519T182905Z
UID:10000380-1684368000-1684886399@laverne.edu
SUMMARY:Knowledge of the Artists: Art 390 Curatorial Practices
DESCRIPTION:Syndri Alvarez\nLuis Carranza Bravo\nGabriela Guzman\nArely Jimenez\nNikolina Katanic\nLaryssa Lahn\nYsabela Montes\nElizabeth Ortegareyes\nHayley Perez\nMaya Sanchez\nEthan Solis\nSam van der Linden\n\nUnlike the usual works displayed in the Harris gallery\, the journey of artists as curators is documented and exhibited in Knowledge of the Artists. Twelve of the University of Laverne’s own students have hand selected themes and developed them into curatorial exhibits to be showcased. In doing so they have set a foundation for their own future exhibitions. \nSyndri Alvarez showcases artists whose works represent love of all forms in her exhibit titled Ages of Love. The exhibit pays special attention to the concept of demonstrating loving relationships between people\, no matter what that looks like. Not only is romantic love represented here\, but so is platonic love. \nIn Graphic Novels Throughout the Decades\, Luis Carranza Bravo demonstrates the forms graphic novels have taken and how they have been affected by events of their time. Since the 1800s\, the techniques\, art styles\, and content of the stories have consistently changed and will continue to do so. \nGabriela Guzman takes viewers for a ride in her exhibit White Horse. Utilizing artists and their different backgrounds\, Guzman has “developed the symbolization of the white horse of innocence and spirituality” in the form of a wild creature. \nArely Jiminez takes inspiration from traditional still lifes of food but in modern mediums\, in her exhibit Los Angeles Contemporary Food Art. Based on media such as crocheting\, oil and digital painting\, the essence and experience of food is captured. \nNikolina Katanic showcases the history of Serbia through its cultural art in the exhibition Serbian Art of War and Triumph. Either as a longtime fan of the era or a newcomer to its delights\, this exhibition provides a glimpse into a time when creativity and rebellion went hand in hand\, and the art was as mind-bending as the music. \nLaryssa Lahn depicts a pivotal role played in women’s lives in her exhibit Motherhood\, by showing the drastic impact it has on their bodies\, minds\, and emotions. These impacts come with little to no accommodations and acknowledgement\, however\, this doesn’t always deter women from motherhood\, as there is a possibility of longing to nurture and raise children. \nSam van der Linden’s Games Across Seas presents 1980’s iconic games such as Pac-Man Sonic and others’ true origin stories that occurred halfway across the world in Japan. Detailing the major transformation these beloved games underwent to intrigue western audiences that are still noted as historical to the gaming community to this day. \nYsabela Montes views color as an important aspect which brings meaning and life to all things. Color has the power to make anything it touches beautiful and full of emotion. Through her exhibit Color of Perspective\, we are then able to reflect on said emotions. \nHayley Perez has flourished her topic on Independent Developers in Modern Gaming with a focus on one artist\, Eric “ConcernedApe” Barone. Focusing on the development of his first video game\, Stardew Valley\, the progress in the game itself and how he evolved as an indie video game developer is showcased. \nElizabeth Ortega Reyes has created an exhibition titled Step Forward. With the theme being women shaping contemporary art and influencing revolutionary change\, it showcases the art of feminist women. These pieces then address self identity\, death\, religion\, nature and social issues. \nMaya Sanchez\, Volume\, selects artists who pushed the boundaries between music and noise as one and the same. Expanding on the artist’s perspective on how music and art interact with each other’s various volumes. \nEthan Solis‘ Psychedelia Pop-Up pays tribute to psychedelic art and the genre’s ability to transport viewers to another realm. Referencing 1960’s artists\, posters\, and albums that directly intertwined with the theme of rebellion under art\, politics and music\, mesmerizing yet trippy designs have been birthed. \n\nCuratorial statement by Syndri Alvarez and Maya Sanchez 2023
URL:https://laverne.edu/event/knowledge-of-the-artists-art-390-curatorial-practices/
LOCATION:Harris Art Gallery\, 1950 3rd Street\, La Verne\, CA\, 91750\, United States
CATEGORIES:Art Exhibition
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