The Department of Art and Art History is very excited to present Asymmetry and Alignment, an installation of new paintings by Oliver Sutter. Sutter’s rich painterly surfaces embrace the […]
Parallax is a two-person faculty exhibition featuring watercolors and drawings by Jon Leaver and sculptures by Keith Lord. The works presented range from representational landscape imagery to abstract assembled sculpture. […]
Parallax is a two-person faculty exhibition featuring watercolors and drawings by Jon Leaver and sculptures by Keith Lord. The works presented range from representational landscape imagery to abstract assembled sculpture. […]
The Department of Art and Art History is thrilled to announce Studio Focus Part 2, an installation of student works from Walpa D’Mark’s Art 260 Painting One classes. D’Mark’s teaching focuses on […]
The Department of Art and Art History is thrilled to announce Studio Focus Part 2, an installation of student works from Walpa D’Mark’s Art 260 Painting One classes. D’Mark’s teaching focuses on […]
Intimate Spectacles is a two-person exhibition featuring paintings by Elham Bayati and Lester Monzon. Initially, the artists’ creative approaches seem somewhat incongruous with one adhering to representational imagery and the […]
The Department of Art and Art History is thrilled to announce Studio Focus Part 2, an installation of student works from Walpa D’Mark’s Art 260 Painting One classes. D’Mark’s teaching focuses on […]
Intimate Spectacles is a two-person exhibition featuring paintings by Elham Bayati and Lester Monzon. Initially, the artists’ creative approaches seem somewhat incongruous with one adhering to representational imagery and the […]
The Department of Art and Art History is thrilled to announce Studio Focus Part 2, an installation of student works from Walpa D’Mark’s Art 260 Painting One classes. D’Mark’s teaching focuses on […]
Intimate Spectacles is a two-person exhibition featuring paintings by Elham Bayati and Lester Monzon. Initially, the artists’ creative approaches seem somewhat incongruous with one adhering to representational imagery and the […]
